It was an honor to look at the many photographers work submitted for the 2nd year of the Pikto Top Pick. The quality and power of images surpassed my greatest expectations. Thank you to all the image-makers who took part in this competition.
Over ten days Gina Martin (National Geographic), Brian Morgan (The Walrus) and myself went through each entry individually, reading the captions and studying the work. We deliberated, slept on it, went back and deliberated some more until each had chosen a selection of our favorite series.
We unanimously agreed that Anastasia Taylor-Lind’s work from her story ‘The National Womb: Baby Boom in Nagorno-Karabakh’ was our choice for this year's Pikto Top Pick.
Anastasia Taylor-Lind’s series explores the Birth Encouragement Program in Nagorno-Karabakh, which distributes cash payments to newlyweds for each baby born; the aim is to repopulate the region after the devastating 1991-1994 war. The compelling story immediately stood out, I was drawn to the painterly, sensitive approach, rich in beauty and artistic execution. I did not sense the photographer in the pictures, I saw only the subjects, and this made for a powerful set of images, a refreshing look at a very difficult story. Taylor-Lind’s work comes form the heart; there is emotion, an honest approach to storytelling and a compelling manner of presentation. A naturalness that is hard to achieve, naturalness that comes only with dedication and respect for the people that let her into their lives, and the utmost trust in return by the people she documents.
A personal Honorable Mention goes out to Matt Eich and his series ‘Sin and Salvation in Baptist Town’. A long-term story set in Greenwood, Mississippi, following a community of people whose ancestors were freed from slavery only to be segregated, then supposedly desegregated only to live like second citizens (according Matt’s mission statement).
Eich’s goal is to explore the Baptist Town neighborhood; he is looking for an answer to the question - what creates this pocket of poverty, crime and violence? He plans to document the more affluent neighbors to better understand the adjacent communities and how the two compare.
“They don’t drink from different water fountains or ride the back of the bus anymore, but their neighborhood is geographically separated from the white community by train tracks. There is a chasm between rich and poor” - Matt Eich, Photographer
Like Taylor-Lind’s story, Eich’s colorful and intimate portrait of Baptist Town will stay with-me. I look forward to following the developing work.
First and foremost what I look for in a body of work is an understanding that the photographer truly connects with the subject, an honest approach, a sensitivity and respect for the people and the landscape they document. I want feel something, I want to sense commitment and dedication to the importance of telling this story, technical ability is great, but if the there is no emotion, no connection, then often, the story is not being told. It is important to make work from the heart. It is important to have a voice: people respond to passion.
I look forward to attending the Pikto Top Pick Opening Reception ‘The National Womb: Baby Boom in Nagorno-Karabakh’ Images by Anastasia Taylor-Lind, January 21st 2012.
Regards and keep photographing.
Johan Hallberg-Campbell
Pikto Curator